Conceptually Driven
A blog about conceptual art, and its drive in my life as an artist.
Volcanoes and the Christmas Spirit
In: Conceptual Art, Studio
Somewhere in this dusty, rocky outcrop of a city, Christmas is finding me, despite myself.
While Christmas is firmly rooted in my upbringing, I left it at home years ago. This was a solution to the stress of the holiday, and in some extreme fashion, an opportunity to reinvent the holiday and other associated events, stresses, opinions, and griefs. It was one of several items like it that was too cloudy to enjoy, too gilded to love, too wonderful to forget. Christmas mostly used to happen at my home in Southport. There was one year where it happened in my loft in St. Louis, but that was two left feet short of a disaster. Some of those weren't perfect either, like the one where the holiday shopping communication had apparently fallen to an all-time low and the gifts were so mis-appropriated that it embarrassed everyone, particularly my lil sister who drew the short end of the stick. In my early years after leaving home, being poor and having a good, hard look at materialism, Christmas and all of its seasonal eccentricities and ridiculous expectations were decidedly OUT. I did not need it, and I would not borrow it from anyone - my family, corporations, and religion all included.
Having no money to …
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Reflections on a Painting
In: Conceptual Art, Conceptual Art Examples, Studio
One sign of up and coming success is watching the earliest and most earnest of work be appreciated with unprecedented focus.
I feel both grateful and melancholy to think about one of my very first babies flying the coop to go back home to St. Louis and live with its very first and most devout fan, a lovely woman who has been tracking it for three years. Since the time of our first communication, I have moved to two different states, learned focus in the studio, and slugged around these huge paintings of my early career with me - changing their dressings periodically (really - the plaster "framing" around the edges) making sure they are always hung straight and look their best. An effort like this is not unlike raising heavy, bulky children with needs for maintenance as well as their creators personal growth and expansion of audience and capability, not to mention the drive to continue and finish and start over each effort without reinforcement from the world and without any good reason to keep going.

The departure of Reflections …
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About the Artist:
Artist Bio
Blaker currently maintains bodies of work in Oil, Latex and Twitterscape. She lives in Albuquerque, New Mexico, and is owner of Petroglyph Creative, the only art/web studio in the state. more..
Artist Statement
I maintain three bodies of artwork: oil on canvas paintings, latex paintings on a variety of surfaces, and digital images derived directly from data. All of these are abstract; and pursue, in their own ways, my fascination with the idea of Infinity... more..
Latex Painting
Oil Painting
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