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Im pleased to have just returned from installing five paintings in the Downtown Albuquerque Flying Star Cafe. Not only is the location frequented by thousands of people in a month but its decor is retro-modern, complete with bright colors and high ceilings. Ive never hung my artwork anywhere like it, but I have to say it looks fan-tabulous. The show will be up for three months, so the exposure it will bring to my aesthetic will be invaluable. The work at Flying Star includes Diptych, Sometimes We Know Differently (we dont forget), Untitled, and two new paintings without images on this website: Scare and Blue Day. Blue Day is a diptych of the same dimensions of Sometimes We Know Differently and Scare is a progression of the thick application technique also used in Chase. All of this work is done on Latex on Canvas and involves Pixels. Im noticing growth in the popularity of my infomatic aesthetic artwork - the work in this show was picked out directly from their listings ...
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Since my last studio update, everything has changed. I have gotten married, opened my own commercial shop, and moved the studio in with the web, effectively declaring myself a professional artist, without a single sale. Good thing I have other skills to back that up. Ive been working for a terrific San Francisco based web shop to hold down the fort while securing wall space and painting time in the other parts of my rented retail space. Last weekend I declared my first ever Art Bender - meaning I hit the paints every day and even a third time on Wednesday. There were a couple of elements that made this Bender different from other painting efforts.
I purchased 9 new canvases of 3 different sizes, brush cleaners and soaps, and new brushes, and had these supplies in-hand. The new canvas sizes assisted composition impulses. The brush cleaner held down the fumes until uncapped, and provided the right texture for bristle rinsing. The soap revived 12 11-year-old brushes (some still bear...
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I am underinformed. Underexposed. Underperforming. Under a rock. No, seriously! There is so little to make art about that I just dont. its not I dont want to - but what about? How? If I can do anything, why do anything? But this is unacceptable. Im a capable professional in other aspects and I cant even coach my own painting? Ok. ok. Maybe if I start reading.. My first move is to pick up the exhibition catalog from Eye Infection, featuring artists Robert Crumb, Jim Nutt, Peter Saul, H.C. Westerman, and Mike Kelley; five men without permission or collaboration successfully deconstructing perception same as the rules of conceptual and fine art. Or at least now thats what they are known for, without the whole rogue aspect: they are all monumentally celebrated now for breaking a tradition that was redefined as such along the same lineage. Its a surprise to myself that I havent looked at this book in years despite schlepping it around and admiring its spine whenever I enter...
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I'm pleased to say that I have left the 9-5 workforce in favor of making my dreams come true in the ways of creative work and living the American dream. In this brave new world, I'm finding that I'm standing on the edge of something powerful I've only dreamed of getting this close to before. Its not only great, but numbing. Now that I'm here, what do I do? What efforts do I need to make? Where should I focus my attention? How do I go further than this? In looking into myself for answers, I come up remarkably blank. This has been the trouble, however, for awhile. Its nothing new. Same ol' too much to do and not enough time. Same ol' money first, creativity last. Same ol' peripheral tasks that numb my brain and consume my energy. On top of that, a terrific partner who deserves and gets a lot of my quality time. Its not that I don't have time to do work - its more that I'm the type of person that is likely to act on motivation to avoid pain than to derive pleasure or, in the case of m...