Conceptually Driven - Conceptual Art Examples
A blog about conceptual art, and its drive in my life as an artist.
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Why I paint spirals
Once upon a time, in a land far, far away; I took Geometry. Like most of the other ninth graders in my class, I found it to be a refreshing diversion from arithmetic and equations (otherwise known as Math), and in getting to know and draw shapes, I was introduced to the spiral, properly. We had these nifty graphing calculators, black and brown screens and spirals would animate right out of the axes once the correct equation was entered - though by this time, bringing equations back to the shapes was a brilliant way to rekindle my fading interest in math. And then, there was the geometric theorem (I cant find a reference) that stated that all spirals are similar, as depending on the dimensions on the axes on which they are mapped, they can be made to look exactly like one another, even if arising from very different equations. So if the shape is a spiral, no matter how it looks, its just like every other spiral. cool. It wasnt long after this that I began to draw spirals...
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SPREAD proposal for Site Santa Fe
Project Summary 200 Words Twitterscapes are images composed of pixels that derive their color and position directly from tweets on the popular social network Twitter. They are created by an online program that obtains the data and breaks it down, character for character, into colors chosen by that user to be a part of his/her profile. In their current iteration, Twitterscapes are derived from the public timeline and are titled by day and time created, as they are effectively social media snapshots of that very moment. My SPREAD proposal is to use Twitterscapes to create a live dialogue between Albuquerque and Santa Fe, via Twitter. The physical piece will exist in two installation areas, one in each city, and will comprise of a screen or projection, support equipment, and instructions: to send a tweet on Twitter including a particular word with a hash mark in front of it (called a hash tag), whereby the program will recognize these tweets and show them in Twitterscape format, in t...
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Exhibit: Infomatic Aesthetic at Flying Star Cafe
Im pleased to have just returned from installing five paintings in the Downtown Albuquerque Flying Star Cafe. Not only is the location frequented by thousands of people in a month but its decor is retro-modern, complete with bright colors and high ceilings. Ive never hung my artwork anywhere like it, but I have to say it looks fan-tabulous. The show will be up for three months, so the exposure it will bring to my aesthetic will be invaluable. The work at Flying Star includes Diptych, Sometimes We Know Differently (we dont forget), Untitled, and two new paintings without images on this website: Scare and Blue Day. Blue Day is a diptych of the same dimensions of Sometimes We Know Differently and Scare is a progression of the thick application technique also used in Chase. All of this work is done on Latex on Canvas and involves Pixels. Im noticing growth in the popularity of my infomatic aesthetic artwork - the work in this show was picked out directly from their listings ...
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State of the studio - October 2010
Since my last studio update, everything has changed. I have gotten married, opened my own commercial shop, and moved the studio in with the web, effectively declaring myself a professional artist, without a single sale. Good thing I have other skills to back that up. Ive been working for a terrific San Francisco based web shop to hold down the fort while securing wall space and painting time in the other parts of my rented retail space. Last weekend I declared my first ever Art Bender - meaning I hit the paints every day and even a third time on Wednesday. There were a couple of elements that made this Bender different from other painting efforts.
I purchased 9 new canvases of 3 different sizes, brush cleaners and soaps, and new brushes, and had these supplies in-hand. The new canvas sizes assisted composition impulses. The brush cleaner held down the fumes until uncapped, and provided the right texture for bristle rinsing. The soap revived 12 11-year-old brushes (some still bear...